Furiously Fast

I’ve just been to see “Fast and Furious 6″ and, part way through, realised that this is the happiest I’ve been in a cinema for years.

I still remember seeing the first Fast and Furious film many moons ago and being utterly gripped by a (by the standards of the later entries in the series) relatively understated and sincere story about an undercover cop getting progressively taken in by the strong heart-ed but troubled gang leader Vin Diesel (or his character… the two being now synonymous to me). It was set against a backdrop of street racing and robbing lorries, but managed to be both edgy and have a real heart.

The sequels quickly descended into trash (principally due to the loss of Riddick). No 2 was all colour and bright shiny things with no substance. No 3 came about a decade late to the ‘isn’t Japan cool and futuristic’ party, but after that they brought back xXx it really got into it’s stride and did what it was really best at from the beginning, having some unashamed fun.

The next three films saw the establishment of an effective forumla of robberies and driving that will never be as memorable as the Italian Job, but always manages to feel much more real and grow progressively more spectacular (at this point I predict that the, currently in pre-production, Fast and Furious 7 will climax with Shane Wolfe driving an aircraft carrier through Sydney before using the aircraft launch catapults to shoot himself onto the roof of the Opera house).

But No 6 is little short of a masterpiece destined never to be fully appreciated by anyone outside of the UK.

You see, the director and producers have tried to take the ‘Fast and Furious’ template and apply it to the UK. i.e. they’re trying to do Fast and Furious London. And let me tell you, you have not grinned as much as me when I realised they were staging an illegal street race at Marble Arch (but sadly didn’t do a drag race down the Mall). This did nothing to hinder the film, instead I felt able to relax and enjoy it, safe in the knowledge that this wasn’t an edgy dark film, but the travelling pantomime of Private Caparzo and co.

…and it had ‘The Rock’…

…and it had my company car (no, really!)…

… and it had a finale that combines Die Hard 2 and Con Air…

… and it had the guy who played ‘The Iron Giant’…

…and it was good.

A Ghost Story for Christmas (2012)

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It was Matthew Carson’s sister that finally managed to get him back north of the border.  He’d always had a soft spot for her, so much so that, whilst he gave enough oblique references to his desire to never set eyes upon his parents, home, or indeed the whole of Fife ever again, he never said a bad word about her.

Matthew was one of those aggressively atheistic sorts that can only really come from a staunch religious upbringing.  He seemed to take anyone having the slightest religious aspect as being not just distasteful but unwholesome to the point where he found it borderline offensive.

We took almost as much joy in taunting him on the subject as we did our friends in the Christian union.  Indeed, one of our favourite bar games, when all other banter failed, was to play devil’s advocate with Matthew and some of our religious friends, playing them off against each other until they were each arguing against a brick wall and we could simply sit back and watch their faces darken. Truth be told it was two years into our relationship that I finally realised he had more than the one sibling.  The rest it transpired were all brothers and, like the rest of his family, subscribed to that rather antiquated religion.

It was midway through Michelmas term in our final year when we heard news of his sister’s death. We were gathered on the sofa watching some dreadful film from the bargain bin when his phone went.  It was a short conversation, his half consisting of vague affirmations culminating in

“I’ll see what I can do.”

He told us his sister had died, but refused to elaborate further. We tried our best to express sympathy and cheer him up, but he seemed very agitated.  When I asked him how he planned to get to the funeral he muttered noncommittally before making his excuses and shutting himself in his room for the rest of the day.

I knew him well enough by then to realise he had no intention of attending his sister’s funeral.  I suppose it made sense, from his perspective, the only people who could be appeased by his presence were the rest of his family and, with his sister gone, they had lost what little sway they may have had over him. Still, it seemed rather hard-hearted even by his standards to not even carry out a token attendance.

A few days later I was in the common room, checking both of our pigeon holes; on the off chance that someone hadn’t been given the address of our shared house.  Mine was empty, but Matthew’s contained a jiffy bag.

When I got back I knocked on Matthew’s door and passed him the padded envelope. Inside, we quickly discovered, were a formal invitation to his sister’s funeral, which was promptly sent bin-wards, and a more formal looking brown envelope. I excused myself and was halfway down the stairs when I heard the sound of tearing paper.

It was a fortnight later, when we had our visitor. I had been on the sofa eating a late breakfast when I answered the door to a slightly tubby blonde man in his late forties.  He asked after Matthew and I told him he was out at lectures but, if he wanted to come in and wait, he shouldn’t be any more than half an hour or so.

I offered him tea and he accepted although, as fortune would have it, the kettle chose that morning to break, either that or the electricity company had finally enacted their threat to disconnect our supply.  So instead I used an ingenious combination of water from the hot tap, thick bottomed mugs, and tentative use of the gas hob to produce a pair of passable mugs of a tea-like substance.

The man had a Scottish accent, although his only luggage was a plastic carrier bag which contained a plain grey box that he had placed upon the coffee table.

“Have you brought him a present?” I asked. He shrugged his shoulders and said he had, in a manner of speaking. I handed him the tea and we got to chatting. It turned out he was an old friend of Matthew’s family, a priest in fact.  This piece of information dislodged something in my memory; Matthew had, once, given me vague hints as to the precise nature of his exile from Fife.  As I recall, it revolved around his sister and some complicated business involving the local priest, although the much accursed preacher of that story bore no resemblance to the affable man I found myself sharing the living room with. I suppose it may have been him because he did mention Matthew’s family, albeit in rather general terms. We touched only briefly upon the matter of his sister and all he offered on the matter was a half smile and the words

“The poor girl; she always said they were a gift.”

It was then or in any case very shortly thereafter that Matthew returned.  The priest brow-beat him about his refusal to attend the funeral, and informed him that the box on the coffee table was for him. They exchanged a few stiff pleasantries and the priest was on his way.

“Well, what is it?” I asked when we were alone. He shrugged his shoulders and pulled the box towards him. Before opening it he told me in stark terms that his sister had, for some years, been ill and, from what he had gathered, had been rather the worse in her late days. I nodded and made vague gestures asking if he wanted to be alone. He shrugged them off, merely stating that I shouldn’t expect the contents of the box to necessarily make much sense, and started to open it.  Whoever sealed it had been quite thorough, to the extent that I had to fetch the kitchen scissors in order to get it open. Inside was a pair of ladies boots in purple suede leather with folded over cuffs. I wasn’t much impressed, the overall impression being more of a hoof than anything else; this was little helped by the heavy scuffing around the toes and heels.

“Well, what do you make of that?” I said.  Matthew was, at this point struggling to hold back laughter.

“The thing is,” he said, “I can’t entirely put it past her to have done this as a joke.”

“Hold on, look,” I said, “there’s a note in here too.” I glanced it over and read aloud

“To Matthew: Hoc donum a mei donum.” I looked at him for explanation and he just shrugged his shoulders and started laughing again.

Matthew had been out at his last lecture of the term so we headed to the bar for a few celebratory drinks at ‘surviving’ another term. As I still had several hours’ worth of contact time the next day I left somewhat earlier than him, getting back to the house well before midnight.

At some ungodly hour I was woken by sounds from downstairs. A woman’s laughter mixed with a crashing that told me Matthew had, again, managed to persuade some similarly inebriated member of the opposite sex to accompany him home. Hoping that this time they would at least not try to steal part of my DVD collection, I rolled over and went back to sleep.

Whatever had done for the kettle seemed to have done the same to my alarm clock so it wasn’t that, or even the coming dawn that woke me, but rather the deep unsettling cold seeping into my limbs that announced that the boiler, too, had stopped working. Clad in dressing gown, pyjamas, socks, shoes, scarf hat and duvet I made my way downstairs to find a dishevelled Matthew sitting on the sofa pondering the boots on the table.  I scooped enough debris off one of the chairs to sit and mock glowered at him.

“You look like you had a fun night,” I said, nodding around the bomb-site of a room. “So, where is she?”

He frowned and then, taking the growing silence as an indication all had not gone so well, changed the subject to our coffee table’s new centrepiece.

“So what are we going to do with them?”

“The shoes, oh, I was thinking about having them mounted, you know like a stag’s antlers, maybe hang them on the wall.”

“Yes, but then it’d look like you’ve had someone bricked into the wall to satisfy your twisted whims. Besides, I’m not sure they’re really in a fit state for public display.” To show him what I meant I picked one up and slipped my hand inside, fingers working their way into the toes to pull at a tiny loose flap of the leather. “See, you can hardly go making a show out of shoes with holes in them can you?”

As I pulled my hand out of the shoe something small and bright emerged with it and fell to the floor.  Matthew reached down and picked up a silvery blue coin, a little smaller than a two pence piece and without the raised edge.  Both sides had been worn down by many years of abuse, but the markings, some slightly confusing jumble of lines, were still just about visible.

“Looks like we’ve found your secret inheritance,” I said.

He looked at it curiously for a few seconds before slipping it into his pocket.

“Well,” he said at last, “I don’t think it’s quite enough for me to give up my studies just yet.”

The boiler resisted our efforts to get it working and eventually, balking at the expense, we decided that the house could not be left unheated through the deepest part of winter and called out a plumber. He spent five minutes clambering over our kitchen worktop only to declare the appliance fit for use and proceeded to emphasise his point by turning it on; much to my embarrassment.

That night I packed my old army rucksack for my trip home to see the family. Matthew never went anywhere for Christmas; I’d invited him to come and spend it with my family on more than one occasion but he made a point of paying as little attention to a ‘religious’ festival as possible.  Packing, as always, took longer than I’d expected and it was into the small hours before I crawled into bed, although I could hear Matthew was still up and watching a film or something in his own room.

The weather that night was foul; wind rattling the old single-glaze windows and seeping in through every crack. And it was with little surprise that I awoke the next morning to find that the boiler had, again, decided to leave us shivering.

I gathered my last few things and bade farewell to a dishevelled and hung-over looking Matthew before making the long cold march to the train station.

I heard little from him in the few days before Christmas, which suited me well as family matters and my mother’s ever frantic preparations took much of my time. It was into the evening of Christmas Eve that my phone buzzed

“Bloody British rail,” it said, “caught the wrong bloody train!”

I responded that British rail hadn’t existed for more than a decade and asked him where on earth he was going at this time on Christmas Eve. My phone buzzed again as I was settling down to bed sometime around midnight.

“Long story… look, am a bit stuck, can you look up the timetable for Anstruther?”

I rolled out of bed, stumbled downstairs and after five minutes of googling realised that there was no such station. I texted Matthew:

“Piss off will you it’s late!”

My phone buzzed once more as I was falling asleep but, having had enough of Matt’s practical joke, I ignored it.

And that was the end of the matter, at least until Boxing Day when, in the middle of some dire film or other, my mother called me through to the kitchen telephone.

The woman at the other end introduced herself as a detective constable.  She apologised for calling when she had, having only that morning been able to get hold of a member of university staff and, after much to-ing and fro-ing been passed my home number. I told her not to worry and asked how I could help. She asked if I knew anything about Matthew Carson and his movements over the last few days. I recounted the text conversation about the imaginary station and asked if he was missing. She said ‘not as such’ I pressed the matter and she told me that his body had been found in a field somewhere in Fife.

“It took us this long to track down your number because his phone wasn’t working, on account of the lightning.”

“Lightning?”

“Yes, I mean… I’m not supposed to go into details but—“

I pleaded with her, explaining that Matthew was (very probably) my best friend. After much sighing she relented and, in a whisper, told me:

“Near as we can figure it; he was in the field and got hit by lightning.”

“How do you figure?”

“Well, there was a hole burned clean through his shoe, and on the inside, stuck to his foot, was a coin. Me and the lads figure it must have changed his conductivity or something, turned him into a lightning conductor.”

I thanked the DC for her time and told her to call me if there was anything else I could help with.

It was only after sitting down that I recalled that last buzz of my phone. I pulled it out and checked the message. It was a picture message, without any text; just a blurry dark image of a rural railway station. The camera was looking over the rails at a patch of woodland.  It was hard to tell, but if you squinted right at the centre of the image, on the far side of the tracks, in between the silhouettes of the trees, there was a tiny cluster of pixels stood out a little lighter than their background, a short stubby streak of light that, if you looked hard enough and screwed up your eyes, looked like a figure, dressed in grey, arms outstretched.

It’s the way (they) tell them

Sometimes when I feel like winding myself up (and for some reason the Daily Hate’s website isn’t working) I look up films I’m either fond of or have seen very recently on IMDB.

Beneath the ‘fact-check’ or who’s who, the obligatory ‘FAQ’ and ‘Trivia’ sections and above the (Please God NO!) reviews, there’s purple box of discussion threads… in which live the parasitic opinions of self aggrandising fourteen-year-olds (Pot… kettle…).

I came across one recently for the dark sci-fi film ‘Splice‘.

The lead comment went as follows:

“I just saw it on video, and, well, it was bizarre. But obviously, it was meant to be that bizarre and extreme in order to get the point across about science, morality and the like, right? It’s just that I’m not quite sure what that point is? Or am I looking too deep and this was just a *beep* crap movie? Thoughts?”

Whilst I can vaguely agree with the importance of a film having a ‘point’, this user seems to have become rather hung up on the idea of their being a ‘moral’ to a story.

The ‘moral’ in stories is a very simplistic piece of deconstruction. The zoological equivalent of identifying that some animals have legs. It’s a good start, but there’s a hell of a lot more than that going on.

The thing is I’m even vaguer on a film (or any story for that matter) necessarily having to have a ‘point’. Some stories are inherently pointless. All quiet on the Western Front, Figures in a Landscape, Ulysses. All of which tell stories of characters who don’t really grow, or change, and are usually destroyed by a cold, unforgiving senseless world. What’s the point?

If anything asking ‘what’s the point’ is probably the most important ‘point’ of these pieces.

So, if a story doesn’t have to have a ‘point’ or a ‘moral’, what is it that separates it from just being a bunch of crap that happens?

A lot of it is in the way it’s told. Arthur C Clarke wrote impeccably well thought out and researched science-fiction, but his prose and characters were so atrocious that I haven’t read anything of his in over a decade and a half. Whereas Herman Melville and Jane Austen can write entire chapters about the awkwardness of asking someone to dance on a partially flayed whale (it’s been a while since I read Moby Dick) and I’ll gleefully re-read it because it’s (dare I say it) fun.

Splice, however, falls some way away from the kind of mindless fun that characterises, say, ‘The Rock’.

Instead it dwells on parenthood and uncomfortable issues such as infanticide, incest and rape. But these aren’t there just for the sake of being shocking. Rather the film feels like an exorcism of fears. It doesn’t give answers or ram a ‘THIS IS WHAT NOT TO DO!’ down the viewers throat, but credits the audience with the ability to react and come to the conclusion by themselves.

Also, don’t have sex with genetically modified lizard people!

Fist of Zen

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Typing the title for this post I initially put “Fiat of Zen” which is, I think we can all agree, an awesome idea for a story… but that will have to wait till later.

It’s been a busy few weeks and, by way of an apology for not updating at all in November, I’d like to share a bit of what I’ve been doing mixed with some poorly understood philosophy.

I warn you now this post talks about symbols and is likely to lose me what few followers I have (Hi Dave).

Most of you will be familiar with this symbol:

Yinyang

Yinyang

Yin & Yang is something of a mistranslation as this implies the two things are somehow distinct and separate (which somewhat misses the point).  The Yinyang symbolises the unity of opposites and how the entire universe is in a perpetual state of flux. The ‘eyes’ are also important in representing that there is always mixing of opposites, hard within soft, light within dark… bloody hell I sound like E L James.

Now what you’ll probably also be familiar with is this symbol:

Omote Manji

Omote Manji

Which has nothing, whatsoever to do with the Nazis. In fact it serves basically the same function as the yinyang above. If anything it’s a more interesting symbol; the crossing bars representing not only the unity of opposites, but also that all things are on a spectrum…

But enough Zen, time to talk about fists!

A couple of weeks ago was the BSKF (British Shorinji Kempo Federation) Taikai (tournament). Shorinji Kempo is a martial art that I’ve been doing on and off for the better part of a decade and, having recently gotten back into training, I thought it might be fun to enter. There were a number of categories and, keeping in mind all the unity of opposites stuff above I decided to do a solo demonstration piece and enter the tan-en (single form kata), then a demonstration piece with my fellow kenshi in the dan-tai embu (group kata) and finally pit myself against others in the randori (sparring).

"Like a short-sighted Exocet"

“Like a short-sighted Exocet”

I think the single-form went pretty well, in fact I managed to come joint first. I felt like I messed up and am sure there were things that could have gone better, but I’m also sure that in competition you’ll always win when you feel you don’t deserve to and lose when you feel you do.

Guess who's doing this without a partner...

Guess who’s doing this without a partner…

This was followed by group kata and, after a whole week of practice it went pretty smoothly (we came third overall).

One of numerous pictures of me getting my backside handed to me...

One of numerous pictures of me getting my backside handed to me…

My final event was the sparring and, to be honest, after the nerves and excitement of the kata I wasn’t really feeling up to it… which is a mealy-mouthed way of saying I crashed out in the first round.

We are the champions etc...

We are the champions etc…In case you’re wondering mine’s the little one on the floor to the left of centre.

My own highs and lows aside it was an excellent result for City Dojo where I train, with everyone showing up getting at least a certificate and between us taking away five trophies (although I’ve agreed a time-share on mine).

Anyway, I hope you’ve enjoyed this little glimpse at what I get up to in my free time and whilst I’m not any sort of authority on zen, buddhism or the martial arts, if you’ve enjoyed seeing me get kicked ten ways from Sunday maybe have a look into dojos near where you are?

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